album review:Between the Buried and Me – The Parallax II: Future Sequence

"The Parallax II Future Sequence - Between the Buried and Me" by Source. Licensed under Fair use via Wikipedia - https://en.wikipedia.org/wiki/File:The_Parallax_II_Future_Sequence_-_Between_the_Buried_and_Me.jpg#/media/File:The_Parallax_II_Future_Sequence_-_Between_the_Buried_and_Me.jpg listen here.
Typically any ‘metal’ band that has a name longer than 1 or 2 words isn’t typically just a metal band.  Progressive Metal is probably the best description, although the music veers to technical death metal, progressive rock, and acoustic with pretty vocals. This album also has them incorporating non-typical instrumentation, such as strings .  The heavy parts bring it to spazz style death metal with extremely aggressive guttural yells, quickly switching to slower more melodic breakdowns showing off the singing prowess of Tommy Giles Rogers.

The album can only be called epic, with this being a strong example for bands to see that the more releases you put out the tighter you’ll all become and the stronger your vision as a band becomes.  Sometimes bands are able to achieve that within their first few albums, but there’s nothing wrong with continuing to hone your vision until you produce your masterpiece.

As to be expected of a band switching so smoothly between different genres some of the parts can come off as strange and sometimes too out there.  Every time I listen to Bloom I can’t help but be recalled of the Flight of Bumblebee, whether intentional or not.  Maybe I’m even missing out on a joke. It then jumps to a 60’s doo wop style before jumping to a Mr Bungle style breakdown.

Five of the twelve songs on the album are nearing if not over 10 minutes long, producing creating a 74 minute epic.  The longer songs do a great job creating different movements and producing “mini-symphonies”, as stated by about.com.

All of the musicians are very talented at what they do.  Being a drummer I have to give a special shout out to Blake Richardson and the insanity he creates behind the kit. He’s great at capturing how to play metal, but also adds textures to the non-metal riffs, effectively using ghost notes, cymbals as sounds instead of bashing the heck out of them and all together cohesiveness.

They’ll be releasing a new album July 7th called Coma Ecliptic. With the growth they’ve shown through the years it’ll be interesting to hear what boundaries they’ll push with the new release.