“The group took shape when songwriter Ben Babbitt invited engineer Theo Karon to move his recording studio into the basement of Hotel Earth, a Chicago coach house shared by a number of musicians and artists. The musician/engineer relationship quickly turned into a full-on collaborative songwriting and recording effort, frequently joined by an ever-evolving circle of contributors.” from the Whistler website.
Similar to the boy on the cover his at peace, yet unnerving look on his face sets the tone for this release. The album takes a straight forward, yet creepy feel getting it’s point across, focusing on monotonous yet driving drum rhythms with a constant build and layering of instruments and sounds. Let’s not forget reverb. The vocals in this album are used like an instrument instead of creating an ‘obvious’ melody or hook. They’re ambient and elongated with background vocals added to provide extra depth. One of my favorite tracks, Hands Can Grow, turns into an almost industrial-african electronic percussive drum loop, climaxing the album.
The last song is a great resolution, ending with strings and delayed ambiance for an unnerving settling to the album. It’s a shame there was only one release as it would have been interesting to hear the growth of the collaboration. Even as a one off it’s a solid effort if you’re looking for something to be challenged with and still chill to. LP’s can be purchased via.